Melancholic, almost boring ... Sad, some dark moments, the loneliness of aging, the fears and fears, the sensitivity of those who have been through a lot, a charming theme represented in a delicate and simple way, but something was missing, not moved, became if cold and very unattractive, despite the excellent performances...

This is a beautiful film about music, classical music, in a world on wich pop culture reigns like there will be no tomorrow. Of course, Nieztsche is present since the beginning, without being a philosophical film. German culture is all about, specially German composers, like says Henry Cole (Patrick Stewart) on some point of the film.

What is amazing is the way music is interconnected with the story, how is not only an ambiental music, but a kind of companion and most of the time it gives a clarity to the scenes. Is like a movie inside the movie, but full of sound, full of stories, full of meaning.

This is a film that only could be the way it is: slowly, meditative, almost poetic, against the hurries and rushes from today cultural mainstream. A very beautiful and meaningful film that deserves a better qualification on IMDB, but I guess many of the reviewers doesn't understand the nuances and little twists here and there, and less about classical music, so at least they loss a half of the meaning of the movie when the doesn't get that message. I'm pretty sure that many reviewers doesn't know anything about classical music, so probably they only identifies the first piece of music when are transcurred 24 minutes, and many other pieces were played and telling things they don't understand.

So, this is not a film for people immerse on today's pop culture.

I quite frankly am appalled of the low rating of this film. I understand why someone might not enjoy it fully if not in the right mood, but this is a beautiful film, well thought through and excellently acted. Patrick Stewart shows why outside his roles as Picard or the poop emoji he is an excellent actor, but also the masterful melange (I swear not a Gurney Halleck pun) of piano music, intellectual romance, high art, fancy hotel life and beautiful Swiss scenery gives the film the feeling of an art work.

I could tell about the story: that it's about an old famous pianist, that is is about love, that it is about persevering in the face of terrible and senseless loss, but to me all of that was part of the piece, just another element that completes the art of the movie. I think the scene where Stewart's character explains the good part of getting old: your mind and your heart make peace with each other, describes the idea of the film best.

Bottom line: I really wish someone who knows how to play chess would consult in American movie chess scenes, but other than that, the film approached perfection for me. It doesn't lead anywhere, it is a feeling piece, something you need to experience and enjoy. I really hope you do.